2011年5月30日 星期一

pitchfork tuesday, may 31



Toning down some of the experimentation of Evil Urges, My Morning Jacket return with an album that touches on highlights from their earlier work.


Artist:
My Morning Jacket

Album: Circuital

Label: ATO

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Megafaun member offers his solo debut, a collection of instrumental folk compositions mostly for acoustic guitar, banjo, and harmonica.

Artist: Phil Cook & His Feat

Album: Hungry Mother Blues

Label: Trekky

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Another retrograde UK guitar band held up as the Next Big Thing, the very solid Vaccines aren't either as good or bad as that claim suggests.

Artist: The Vaccines

Album: What Did You Expect From the Vaccines?

Label: Columbia

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Arab Strap's Aidan Moffat teams with fellow Scottish music vet multi-instrumentalist Bill Wells to tackle aging, mundanity, and insecurity.

Artist: Aidan Moffat / Bill Wells

Album: Everything's Getting Older

Label: Chemikal Underground

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The Chicago electronic outfit moves from tech-focused glitch pop to a darker 80s sound with generally positive results.

Artist: Pulseprogramming

Album: Charade Is Gold

Label: Audraglint

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2011年5月26日 星期四

pitchfork friday, may 27



Artist: Destroyer

Album: Ideas For Songs

Label: Triple Crown

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Artist: D. Charles Speer / D. Charles Speer and the Helix

Album: Arghiledes / Leaving the Commonwealth

Label: Thrill Jockey

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Artist: The Very Best

Album: Super Mom

Label: Self-Released

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Artist: The Unthanks

Album: Last

Label: Rough Trade

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Artist: Manchester Orchestra

Album: Simple Math

Label: Columbia / Favorite Gentlemen

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pitchfork thursday, may 26


Artist: Reatards

Album: Teenage Hate / Fuck Elvis Here’s The Reatards

Label: Goner

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Artist: Various Artists

Album: MMG Presents: Self Made, Vol 1

Label: Maybach

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Artist: Nat Baldwin

Album: People Changes

Label: Western Vinyl

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Artist: Sightings

Album: Future Accidents

Label: Our Mouth

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Artist: Brave Irene

Album: Brave Irene EP

Label: Slumberland

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2011年2月7日 星期一

Silk Flowers - Ltd. Form (iTunes Version)


Forging a hallucinatory blend of synths and deep, slurred vocals that sound like Ian Curtis on cough syrup, New York's Silk Flowers features vocalist/multi-instrumentalist Aviram Cohen and keyboardist Peter Schuette from Soiled Mattress & the Springs, and Ethan Swan of Car Clutch, Emergency, and Corpse Kisser. The band formed in 2008 and spent that fall touring with bands including Sightings, Tickley Feather, and No Age, who signed Silk Flowers to their label PPM. The "In This Place and Time" single arrived in early 2009, and the band's self-titled debut album — which was produced by Saturday Looks Good to Me/City Center's Fred Thomas — followed that summer.


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2011年1月18日 星期二

Black Dice - Repo (iTunes Vesion)


Black Dice are as engaging and deranged as ever, and their fifth album is yet another one of their warped takes on electronic soundscaping. Full of whirs, buzzes, and glitchy blips galore — like the mind of a robot as it runs out of batteries — Repo finds the Rhode Islanders a long way from their noise rock roots. The pacing is more manic and the skronk is set to overdrive. Where Beaches and Canyons gave listeners time to breathe by way of ambience and spatial time outs, Repo is a constant blur of fractured mechanics. Even compared to 2004’s Broken Ear Record, which seemed jam-packed, Repo feels whirlwinded together especially with attention-deficient and drug-addled listeners in mind. Maddening noises and twists are crammed into the songs, and the sounds are rendered inscrutable through filters and mangled beyond recognition. Under all the crisp cracks, processed gurgles, phased splashes, and hip-hop fragments, the occasional shout, vocal gasp, or random trippy soundbite will sneak through the cracks, as if to mark a point of reference in the sonic wastelands (a sample of Steve Miller singing “Get high and watch the tunes,” for instance). At the surface, even though the instruments are hard to decipher, this is an instrumental album — a squelchy instrumental album that pushes the envelope hard to the left. Sometimes the circuit-bent crudeness borders on intolerable, but when things come together, as they do in the gooey dub of “Glazin” and the screwed muck of "Lazy TV," certain aspects hint at a melody and it all makes absolute sense, in some wonderful sort of bizarro-world way. Either Black Dice have brilliantly discovered and unlocked the future sounds of music, or it’s just the sound of a couple grown men banging their gear through too many effects pedals. It seems too meticulously crafted for that. Odds are it’s the former.


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